Friday, February 8, 2019

A Final Walk "In the Garden"


I (Teri) thought it might be fun to take a walk together In the Garden and revisit each block. Below the block is a link to the original post, so you can review any special skills covered for that block. Enjoy!














This quilt was such fun for us to design and stitch, and it's even more fun to teach. Happily, a new round of classes has started at the wool shop, so we will be gardening again! Last month, we started with the Cardinals and Holly block, and we'll be stitching the Rose on Saturday. 



We would love to have you join us In the Garden! If you have stitched any of the blocks, it would be a great joy to see pictures. You could share them on our Facebook page.

Patterns for In the Garden are available in our web store, both individually and as a set, so you can pick and choose if you only want a few of the blocks. 

We have really enjoyed this garden journey. Are you wondering where our next stitching adventure will lead us? We shall see!


Thursday, February 7, 2019

"In the Garden"—Wisteria Border and Quilt Assembly


In November, this wonderful group of ladies completed the final class of our Block of the Month quilt, In the Garden, at Primitive Homespuns Wool and Needleworks in Frederick, Maryland. We had such an awesome time together—stitching, sharing stories, learning new skills, and just having fun. Our last class was a bit bittersweet for me (Teri), as I'd come to look forward to meeting with the girls every month. But there will be other classes.

Our last session focused on assembling the blocks into a quilt, as well as how to make the wisteria border. Kathy, the owner of Primitive Homespuns, always has everything kitted for the classes, but this time, we decided it might be better to give everyone the opportunity to choose the color for the lettering. I was thrilled to see all of the choices. I am a green person, but we had purple, teal, and red letters in the top border—and they all looked fabulous! Every quilt would end up unique and personal to its maker. Some stitched the letters with matching thread, and at least one chose to stitch with a contrasting color thread to make a pop of color. I loved it! Our top is pictured here, with borders and pinned to prepare for quilting.




Here is a brief synopsis of how we worked the wisteria border:

I used a ten-inch square of wool—with a fusible ironed to the back—for my letters and arranged the word patterns on the wool. I stapled the patterns on the wool inside the letters and carefully cut them out, using sharp scissors. I fused the words onto the border strip (pressing on the front and the back) because I knew the long strip of wool would be handled a lot in the stitching process, and I didn't want the words to shift. (Shift happens!) This helped to keep everything lined up correctly. I used a matching wool thread with a blanket stitch all around the edges of the words, which gave a nice clean edge to the lettering. 

I used sari silk ribbon for the wisteria vines, twisting and pinning carefully before stitching.

I used a matching thread and stitched the smaller vines first, and then proceeded to the larger vine, removing pins as I stitched. 

Here, the first smaller vines are pinned down. I folded a piece of sari silk in half and twisted it, pinning so that the raw edges would be beneath the larger vine.

The larger vine is made with a long piece of sari silk, folded in thirds so the edges overlap in the center, as pictured here.

The center section is lightly twisted and pinned, and then the ends are twisted and shaped using the pins to secure.

The tighter you twist the silk, the more gnarled the vine will be. Stitch the smaller vines first, and then the larger one. I added some seed stitches throughout, using a matching 30-weight silk thread, to add more texture to the vines.

I used pearl cotton for the stems and leaves, and floss for the wisteria blooms. The petals are made with bullion-knotted lazy daisy stitches and some French knots for the smaller buds at the tips. 

The pattern includes the sari silk needed to make the wisteria vine and will be available on the website, along with all the patterns for each of the blocks. I know this post is a wee bit—okay, waaaay—overdue, but I wanted to have the quilting finished before posting it. So I hope you'll forgive me for taking so long. A quilter I am not. (Thanks, Yoda!) But I was determined to tackle this one, trying big-stitch quilting for the first time. Valdani #12 pearl cotton was my choice, and I loved the way it stitched.

First, I outlined all of the motifs. Then I used painter's tape to mark my quilting lines for the cross-hatching. I thought it would be fun to add little flowers, sprinkled through the cross-hatching, so every so often, I'd make a little bloom with five lazy daisy stitches and a knot in the middle. After the first row, I made little notches in the tape where I wanted to stitch the flowers. 

One important tip if you quilt using painter's tape: it's perfect because it isn't too sticky, but it does like the silk ribbon, so I found it worked better if I didn't press the tape directly onto the ribbon. I put a scrap piece of tape upside down where the tape would go over the ribboned sections. 

And finally....I have finished!!

In the Garden—a wool and ribbon appliqué and embroidery block of the month series


 

You can purchase all twelve of the individual block patterns on our website. If you purchase all twelve patterns, the Wisteria Border and Quilt Assembly pattern is free. And remember: all the hard copy patterns come with any ribbon needed to create the block. But you can also purchase digital copies of the patterns if you have access to the ribbons yourself. It is never too late to join us In the Garden!

Stop back tomorrow for a synopsis of the individual quilt blocks!

PS—If you have been following along and have purchased each block throughout the past year, please email us. We have a list compiled of about ten people who have bought all the blocks and will receive the final pattern free. Email us before you purchase if you think that you are on that list!

Thursday, January 31, 2019

A Lettering Tutorial

Well it has been about a month since we wrapped up our Flora and Fauna of Germany Stitch-Along and I (Kara) have been diligently sewing the blocks together. I put together the fabric blocks and even got the border on them, but I felt it needed a little something now that I could see them all put together. Lettering popped into my head as just that something. Since each block has a name, inking that on the block—reminiscent of the old botanical prints—seemed like a good idea. It was a bit of a gamble because once done, it cannot be undone. In spite of that I forged ahead and thought I would show you how I did it.

My handwriting is certainly not nice enough to freehand the blocks, but Microsoft Word has all sorts of options for fonts. I created a document with all the block titles on it in the Edwardian Script font. This font seemed to work best for that vintage look. Two columns with a line down the center  of each allowed me to line them up, correctly centered on the blocks as you will see further on.



The next step was to spray the whole paper on the front with a temporary adhesive. I used 505 as it doesn't get too sticky. 



Next, I cut out each title and put them aside while I prepared my blocks. Ideally, you would do the inking before you put the blocks together but I wasn't going to be taking mine apart just for this. The blocks finish at 6" square so I found the center, made a small line, and then drew a line 1/4" from the bottom edge.

Ready to line it up.

Once my lines were drawn, I turned on my light-box and positioned my paper title underneath the block. I double checked multiple times to make sure I had the right title for the right block. 

Lined up  and ready to ink.

The temporary adhesive on the paper holds it to the fabric without having to worry that it will shift while inking. Before I inked on the blocks, I practiced a bit on a piece of scrap muslin. I then took the plunge and traced over the letters with my Micron pen. 

Micron pen in size .05 and color #117

The best advice is to go slowly and gently. Downward strokes are usually easiest and I tried to write with a light hand.

A nice bright light-box is essential! 

I took my time on each one and I tried not to hurry. After you are finished, you need to let the ink set for a couple of hours before you try to remove your blue marking pencil if you used one. Here are a few of the blocks once they were finished:








The inking is a subtle detail but I think it adds that little something to all the blocks. I have only inked the cotton blocks because the light box I had borrowed was not bright enough to shine through the linen background of the wool blocks. It may be that the wool version will be sans inking! 

If you would like to ink your blocks as well, you can download the titles HERE, Let us know if you have any questions about inking.

Soon we will show all the blocks together, both cotton and wool. If you have created any of the blocks, we would love to see them! 

Thursday, January 24, 2019

A Vintage Pinafore, Tea, and Friends


Kara and I (Teri) love to collect vintage linens. I have a drawer filled with tablecloths, doilies, handkerchiefs, pillowcases, and the like. A few weeks ago, I went with some friends to visit Dollies Tea Room and was chatting with the owner, Amy. She does such a lovely job setting the tables for tea, using vintage hankies as napkins. Amy mentioned that at times, they get worn and she has to get rid of them. As I have used them for a few projects—and always looking for inspiration to use more—I told her that I would be happy to take her cast-offs, and in fact might have some that she could use.

Before we left, Amy brought out some embroidered linen napkins that she had bought at a sale but wouldn't serve her purpose, and she gave them to me. As yet, I don't know how I might incorporate them into a project, but I feel certain that between Kara and me, we will be able to put them to good use. When I added them to my drawer, I searched my pile of handkerchiefs for some suitable prospects that Amy might be able to use.

Years ago, when I made my Grandma Quilt, I cut one her handkerchiefs into quarters and used them for the cornerstones of the quilt. One of my memories of Grandma was the pretty hanky she always carried, so it was special to incorporate this piece of her into my quilt honoring her.

To read more about My Grandma Quilt, click here.

This handkerchief belonged to my great-aunt, Annabelle. A few years ago, I took a class at the Academy of Appliqué—before we were teaching there—and chose to use her hanky as part of the dress on this lady. I was able to fussy-cut it to add to her hat as well. It was fun to honor Aunt Annabelle, as she was also a stitcher, who helped to make the reunion quilts which I've written about in the past. (See Reunion QuiltsReunion Quilts, Revisited; and A Quilty Family Reunion.)

To read more about this lovely lady designed and our class with Cori Blunt, click here.

Well, last week, I took my friend Bonnie to celebrate her birthday at Dollies Tea Room. I took a few of the handkerchiefs in my stash for Amy, and to my surprise, she said her mother had a dress to show me. I couldn't imagine what it would be, but my curiosity was indeed piqued. 

After a while, Amy's mother, Jane, came to our table to show us this charming little dress that her mother had made. She told us that her mother—Dollie, for whom the tea room is named—had drafted her own patterns for their clothes and made them. They were a farm family during the Depression in the village of Big Pool, Maryland, and owned a canal boat in which they would travel to Georgetown. When Dollie made this pinafore, she embroidered the names of all the cousins around the hem.




The clover blossoms stitched around the neckline complement a three-leaf clover on the waistband.

Lena Jane went by her middle name, Jane, as did her cousin of the same age, Frances Jean. Jane told us when she was little, she would hop over the fence to play with her cousin, who lived right next door. Since Jane and Jean sounded so much alike, her cousin ultimately went by her nickname, Pid. She explained that nicknames were common then, though since her name was short, she kept her name, Jane. 



Can't you picture this sweet dress on a little girl, running through a field of clover?

When Jane finished telling us her story, she handed the dress to me and said that if I'd like it, it was mine. She said no one in her family really wanted it, and she was happy to have it go to someone who would enjoy it. In fact, Amy also thanked me for taking it. I was feeling humbled and honored to own such a treasure, and that they were thankful and willing to share its story made it all the more special. And they agreed to let me share the story with you!

Dollie's story, shared on the back of the menu

The tables set for tea, with vintage tea cups and plates, and old handkerchiefs for napkins.

Dollie is pictured on the wall above. Amy told me Dollie would have loved the Tea Room, but she died just after they purchased the property to open Dollies Tea Room. 

As I sit here writing this, I am enjoying the rest of the pot of tea—bought at Dollies, of course—that I just shared with a neighbor. I am thinking of the mission statement on the Dollies Tea Room website: 

"To feed the soul as well as the body. To provide a place for quiet thought, gentle communication, sweet respite from the hectic everyday world; a place filled with a sense of hospitality and graciousness. A haven for the gathering of one's strength, the refreshing of one's body and spirit."

Indeed, I have found such a place at Dollies. In fact, my friend Bonnie and I have made a monthly date to visit and enjoy such nourishment for our souls.



Bonnie sent me a link to this website that evening—a truly delightful discovery! I have not formally "met" Grandma Rae yet, but I hope I may at some point. Her page is so inviting: quilts and tea on one site! You may wish to pay her a visit at www.grandmarae.com. Grandma Rae welcomes visitors to her site with these words:

"Having tea with friends fills a spot in my heart. Tea Time for me is not a lovely table or perfectly made sandwiches and desserts. Tea Time is the fragrance of friendship—it's the aroma of lives shared and the sweetness of sisterhood—bonds that cannot be broken by time, economic circumstances, health situations or lifestyle changes." 

Both statements touch a spot in my heart. I am not sure I ever appreciated tea, or even thought much about it, in this way before. The gift of a sweet little embroidered pinafore has brought new appreciation to that precious cup of tea—and the friends with whom I share it!