Thursday, May 10, 2018

"In the Garden"—Hummingbird and Fuchsia



We are back In the Garden this week with the latest block of the month in our series. What better time than spring—at least here in the northern hemisphere—to think about what to plant to attract those cheerful, bright hummingbirds? Fuchsia seemed the obvious choice, with their vibrant colors . . . and they are fun to create, as well! We had a fabulous time blooming fuchsia in our class this past Sunday. You, too, can join in the fun; the pattern, complete with ribbon, pistils, and a metallic twist, is available on our website!





Here is how this block came together.

I (Teri) first stitched the branch and leaves in place. I used a matching green wool for the leaves, as my wool had a herringbone design and didn't really need veins. You could, however, embroider some veins if your wool is a solid.

The hummingbird's ruby throat is stitched down using Painter's Threads Metallic Twist, by Threadnuts, with a chain stitch. Ribbon stitches in 7mm silk ribbon are stitched below for his white breast. Green feather-stitched feathers are stitched on his body. The wings and beak are embroidered with a dark floss. His French-knotted eye is topped with a white bullion.

The Fuschia

I used two pistils, folded them in half, and tacked the pistils to the center of my purple satin ribbon.

   
Then, I folded the purple ribbon around the pistils at 45-degree angles, above left, and did a running/gathering stitch across the ribbon, above right.


   
To secure the gathers and shape the center of the fuchsia, I often take another stitch through the gathers on the back, left, and then knot the thread. You can trim the fuzzy edges above the gathering stitch, right, but not too close to your gathering stitches.

Three centers, waiting for the outer petals

Using 1 1/2-inch wide wired ribbon, fold the ribbon in half to find the center, and fold each edge toward that center fold, as above.

Tack the purple flower center to the center of the folded ombré ribbon, using a strong or doubled thread. (Pretend that the white center above is purple, please!) Note that the raw edges of the ribbon is the side where you tack your center. I leave my thread in place.

 
You will do a running stitch in the shape of a diamond as indicated by the arrows above, going through both layers of the ombré ribbon, but NOT stitching the flower center. Be sure that when you come to the points, your thread wraps around the edge of the ribbon, from front to back, or vice versa.

Note that I even need to wrap that thread from one side to the other at the bottom, beneath the flower center, to create the gathers needed to make my petals. Do not knot off your thread yet.

Hold your finger on the flower center and gently pull your thread to gather the top petals. Pull from the thread near the flower, rather than with the needle, to prevent breaking the thread. As you gather, the stitches begin to line up horizontally, and you can gently pull to the side. Gather fairly tightly, and knot it off on the back. Turn the flower over and shape it, using the wired edges.

To make the bud, remove the wire from the light edge and fold the ribbon in half so that the wired edges are together. Take a running stitch in a U shape, from the wired edge down one raw edge, along the folded edge, and up the other raw edge. Gather tightly and knot. Shape it, creating a point on the side opposite the gathers.

Use matching thread and stitch the flowers in place with tack stitches in the gathers, so the stitches don't show. Continue to shape the flowers and use the stitches to keep the flower in shape. Embroider the stems, and you are finished!


So many lovely blooms were created in our class at Primitive Homespuns Wool and Needleworks on Sunday. I can't wait to see some of their finished blocks next month!

Hummingbird and Fuchsia

To read about the other blocks in our In the Garden Block of the Month series, click on the links below. All patterns are available on our website (www.needleseyestories.com), both in digital and hard copy format. The hard copies come with any ribbon needed to complete the blocks, as well as a detailed list of the threads we used. Won't you join us In the Garden?!

Thursday, May 3, 2018

The Language of Quilts

Communication in your own language can be difficult. Communication between two people who don't speak the same language is really difficult. The good thing is that quilters can communicate without speaking. Whether it is a modern or traditional quilt, the voice of the maker can be heard without saying a word.

One way quilters express this form of communication is through a quilt show. The Nurtingen quilt guild—a local guild in the area—held their triennial quilt show this past March, and it was wonderful. There were quilts of all types, sizes, and themes. They even had an area for coffee and Kuchen (cake), with all the desserts provided by the guild members. I thought I would share some of the quilts from the show.

Abstraction Lion
Annica Sternad

Es war einmal
Once Upon a Time
Halina Schmitz

Global Warming by Anthology
Kim Dulle

Federns
Feather
Birgit Klein

ICU—Do U C Me
Birgit Schüller

Beautiful creations by ladies who took the Gloria Loughman class with me in November:
Gabriele Stahl, Marion Thum, Marion Bätje

Deutschland
Oy Sullivan

Baltimore Bouquets
Elizabeth Werdel

Phosphophyllit
Andrea Stracke

Detail: Phosphophyllit
The hand quilting on this was spectacular!

Lancaster
Gabriele Latz

Hatten die Makrelen das Calval Zerstört
Frauke Schramm

Over the Rainbow
Marijke vanWeizen

Mein La Passion
My Passion
Gaby Stocker

Detail: Mein La Passion
Those hexagons are the size of my fingernail!

Yara, die Wasserfrau Meets Alabama Chanin
Heidi Hombsch

Detail: Yara, die Wasserfrau Meets Alabama Chanin

Regenwald (Rainforest)
Bernadette Mayr

Special exhibit by the Nurtingen guild members
It was a beautiful display.

I hope you have enjoyed seeing a little glimpse into the wonderful quilting community here in my area of Germany. While I don't speak German (my grasp of restaurant German doesn't count), it was wonderful to be able to look at these quilts and hear their makers speak. 

Thursday, April 26, 2018

Block of the Month 8—Quince Blossom

Thank you for your interest in our Flora and Fauna blocks! They are no longer free but will be part of a future quilt pattern.

Last month at this time, I (Kara) was wondering if spring was going to ever arrive here in Germany. Well, it has not only arrived, but burst forth with warm temperatures and stunning floral displays. Every day, I walk the dogs in an orchard filled with apple trees and garden spaces, so I had been hoping that spring would be magical as far as blossoms go—it did not disappoint! Here is a little glimpse of our orchard and the source for this month's block.























If only I could waft the scent of the blossoms through the internet, but we will have to make do with pictures and with the stitching of our quince blossom block.



While many of the blossoms in the orchard would make a beautiful block, the call of the coral in these blooms was too hard to resist. This bush in our yard bears small fruit that look a little like what would result if you combined a pear and an apple. The flowers are a gorgeous color, and I had a River Silk in just the right shade.



Cotton Block

I began this block by transferring the stem and leaves to the back of the block using transfer paper. These were quickly back basted, and then appliquéd. Because I was using ribbon for the blossoms, I didn't need the petal to be transferred to the back. I used the pattern as my guide, and made a small dot marking the center of each flower. I used these to help me place the petals. 

Small dots to aid in blossom placement.

The green calyx.
The quince blossom has a calyx-type part that is green, so there are a few of those, made with 7mm green silk and a straight stitch, placed according to the pattern.



The pattern should be loosely used as a guide for the petals, made with a ribbon stitch. I used 7mm River Silk ribbon, starting at the top and working my way down to the last blossom. A silk pearl was used for the pistils, using—you guessed it—a pistil stitch. Using the 7mm ribbon for the blossoms creates a finished block slightly smaller than the pattern, but it still worked beautifully.

The finished block!

Blossom detail
Ribbons and thread used for the fabric block.

Stitches and Threads Used (Cotton Block)

River Silk #329, 7mm, ribbon stitch
May Arts, green silk ribbon, 7mm, straight stitch
Japanese silk pearl, pistil stitch


Wool Block

One of the joys of working with felted wool, is that the edge does not need to be turned under. Because of this, my vision for the wool block was to have 3D petals. That also means that I cut out all 25 little petals, but I think the end result was worth the extra work. I cut out petal shapes, checking the size with the pattern.

25 tiny little petals.

I eyeballed the placement of the petals using the pattern as a guide and a pin to hold them in place. Four or five back stitches down the center was all that was needed to attach each petal.

Put the pin in horizontally so that you can stitch around it.

The pistils were again  made with the pistil stitch, but this time I used two strands of floss. I added the green silk calyx, working them underneath the petals.


The finished wool block

Blossom detail
Ribbon and threads used

Stitches and Threads Used (Wool Block)

Weeks Dye Works, floss, Grapefruit, 2 strands, back stitch
Weeks Dye Works, floss, Saffron, 2 strands, pistil stitch
May Arts, green silk ribbon, 7mm, straight stitch


Spring time and blossoms of all kind hold a special place in my heart. My grandmother was the Blossomland Queen when she was younger and her picture is still painted on the Silver Beach Carousel, in St. Joseph, Michigan (you can read more about my grandmother and her aprons here).


I never could have imagined that someday I would be seeing such a blossom display here in Germany. Hopefully things are blooming where you are; if not, maybe you can stitch a bloom while you wait!