Showing posts with label Colonial Lady. Show all posts
Showing posts with label Colonial Lady. Show all posts

Thursday, April 6, 2017

"A Peek into the Quilter" at AQS QuiltWeek Lancaster 2017


The day began before dawn—a lovely sight for our drive.
It had been several years since I (Teri) had attended AQS QuiltWeek in Lancaster, PA. This year, I was able to make it, though only for a day—and I can assure you, it was a day jam-packed with beauty and inspiration!

I had been remiss in renewing my AQS membership, so that was my first stop. While I was filling out my card, I was chatting with the lady behind the counter, explaining that I write a blog and would be including photos of the show and wanted to be sure I was staying within the guidelines that I had read about on their website. She responded with a lovely surprise: I was given a Press Pass, as well as a personal tour through the entire exhibit with the Marketing Director, Katherine Rupp. I felt so official! As Katherine walked me through the exhibit—which spanned three floors—and pointed out various ribbon-winning quilts, I was struck by how difficult it must be to chose "winners" from amongst such a vast pool of talent. In my mind, they were all winners! She noted that the AQS was the largest membership quilting organization in the world, and the exhibit itself represented quilt work from countries across the globe. (In fact, among the ribbon-winning quilts, I counted nine winners from six foreign countries, as well as 13 American states.) While transitioning from one floor to the next, Katherine stated that at such a quilt exhibit, "there's a peek into the quilter of every quilt, and you can't help but be inspired." Wow, that really struck a chord with me! If you have read many of our blog posts, I'm sure you can guess why. I was so grateful for the time Katherine spent walking me through the show.

After the tour, I returned to the first floor to study the quilts at a slower pace. I found myself looking for that "peek into the quilter," wondering what she was thinking when she made her quilt. Was the quilt her story, or was the story of the quilt in the actual stitches she lovingly placed in the quilt? I pondered whether what I was seeing was her intended message, or one that the quilt placed in my own mind, making the quilt special, and in some way, unique to me. In a sense, I suppose that each quilt has the opportunity to "speak" individual stories to whoever sees it, as we all bring our own thoughts and experiences to the quilt before us. 

Enough of the philosophical mind-wanderings. We have quilts to see!

Best Hand Workmanship Award
  MY SWEET HOUSE WITH KIRARA, Ayako Kawakami; Funabashi, Chiba, Japan

Detail shots of  My Sweet House With Kirara, by Ayako Kawakami
I love everything about this masterpiece: the color, the skill, the town, the garden stitched in the blocks, and the combination of patchwork, appliqué, and embroidery. 


Best of Show Award
    AZTEC SUNSET, Linda Roy, Knoxville, TN

Detail of Aztec Sunset by Linda Roy
Stunning use of color, movement, and quilting!


Best Stationary Machine Workmanship Award
    COUNTRY ROADS, Joanne Baeth, Bonanza, OR

Detail of Country Roads by Joanne Baeth
Talk about a quilt with a story! 


Best Movable Machine Workmanship Award
    INTO THE WESTWARD SUN, Bethanne Nemesh, Allentown, PA

Kara and I saw Into the Westward Sun at the Mid-Atlantic Quilt Festival; it was no less impressive here! The quilting itself is full of stories. As I studied more of the exhibit, I was impressed by the variety of quilt styles on display, and quite pleased to see so much appliqué and embroidery! Here were a few of my favorites. (It really is just a sampling, though it seems like a lot; it's so hard to narrow it down!) 

Decadent Victorian Darlings, Hattie Williams; Boswell, PA

Detail of Decadent Victorian Darlings, Hattie Williams
The lovely lady above reminds me of the Colonial Ladies in the quilt my mother-in-law gave me—you can read about it by clicking here. And of course, the quilting lady, below, is a favorite! The fabulous quilting adds so much to this quilt.

Detail of Decadent Victorian Darlings, Hattie Williams

Flower Boxes, Christine Wickert; Penfield, NY

Detail of Flower Boxes by Christine Wickert

Red December, Gail H. Smith and Angela McCorkle; North Barrington, IL

Phebe, Christine Sudberry; Tampa, FL

Detail: center medallion of Phebe, by Christine Sudberry

Detail: Center medallion border of Phebe, by Christine Sudberry

Old Glory Under His Wings, Julee Prose; Ottumwa, IA

 Details of Old Glory Under His Wings, by Julee Prose


First Place: Hand Quilted Quilts
Baby Blues, Antonia Hering; Hoorn, Noord-Holland, Netherlands

Civil War Bride, Nechama Cox; Baltimore, MD

Detail of Civil War Bride, by Nechama Cox

Second Place: Hand Quilted Quilts
Crazy Birds, Donna Douglass; Apollo Beach, FL

Bouquets for a New Day, Karen Boe and Barb Simons; Langdon, ND

Hugs & Kisses, Kathryn Brigham; Colleyville, TX

Royal Garden, Eliane Bailey; Dallas, TX

Detail of Royal Garden, by Eliane Bailey

Ewe Are My Sunshine, Janet Stone; Overland Park, KS

Detail of Ewe Are My Sunshine, by Janet Stone

Iznik Garden, Tamsin Harvey and Angela Perry; Bowral, New South Wales, Australia

Detail of Iznik Garden, by Tamsin Harvey and Angela Perry

Victory, Colette Dumont; Saint-Romain, Quebec, Canada

Family Tree, Peggy Garwood; Crossville, TN

Blessings of God, Elaine Merritt; Highland, NY

This is but a taste of the inspiring quilts I saw on the first floor alone. It's probably not too difficult to make the observation that I am drawn to appliqué, and particularly, album-style quilts. To be honest, I didn't even realize that most of the photos I took were this genre, until I had them all posted and thought, "Well, I am consistent!" I guess we like what we like. 😀  There really WAS a great variety!

And I must have been missing Kara—I noticed that at least seven of the quilts I included here had "put a bird on it!" Did I miss any birds? (I'm quite certain there were many in the show I didn't photograph.)

One special exhibit on the first floor, The Gala of the Unexpected from The National Quilt Museum, included creative works of quilted art made of such unusual materials as duct tape or sugar packets. Not joking! Alas, photography was not permitted, so you'll have to reeeallllly use your imagination for those!

I wandered through about half of the vendors' booths before my stomach began screaming for food. I got my ring cleaned by Something New Jewelry Cleaner, bought some legs for my portable Cheryl Ann's Design Wall, and some Auriful 80wt cotton thread from Follow That Thread for my appliqué. 

There was so much left to see! I met "the sisters," and we had lunch—we needed to fortify ourselves for the afternoon: two more floors of quilts and the rest of the vendors. But enough for now. You'll have to wait to see what beauty lies upstairs! (Not to mention the laughter and fun I shared with my adopted sisters!) 

Stay tuned . . .

Monday, March 28, 2016

And the Spring Stitching Set Goes to...

Many thanks to all of you who took the time to respond last week and enter our giveaway! The kind words and encouragement we received were certainly heartwarming. We are so appreciative of our readers, and we're so glad that you're here.

It would seem that we are in good company in our love of stories, both fairy tales and stories about quilts. And evidently, we are not the only ones who are crazy for crazy quilts. It is such a joy to share the same passions with so many other stitchers across the globe. 


Several people favored the fairy tale quilt.

Colonial ladies, both quilted...

...and living (in costume) got a 'shout out.'

Wool, ornaments, and Little Red Riding Hood were all mentioned. 

The winner of our Anniversary Giveaway was:

KathyAnne Whittemore

She wrote: Hello! I have 2 favorite posts: the first one, that somehow "linked" me to you originally, is the "Crazy Quilting: Start to Finish, Session One" -- as I am so getting into using various embroidery stitches in numerous ways. And the 2nd one is "Crazy Quilting, Session Two" that uses men's ties, as my son has sent me a box full of ones he no longer wears and I keep pondering what to do with them. Both posts are SO beautiful! and inspiring!

And some are crazy about crazy quilts!

Please email us with your mailing address, KathyAnne, and we will get your prize off to you!

If you have a story to tell about a quilt you have made or own, we'd love to hear from you! Perhaps we could share your quilt story on our blog. You may inspire someone to try something new...or just to share a story of their own. Don't be shy! Let's share the love in our stitches!! 


Thursday, March 10, 2016

Our Quilting Road Trip Continues

Last week, we invited you to join us on our quilting road trip to Virginia. We met new quilting friends at the Mid-Atlantic Quilt Festival, visited a great antique mall, and tasted some great wine. The remainder of our trip was spent at the Academy of Appliqué at Kingsmill Resorts in Williamsburg.

Colonial Lady, by Cori Blunt
First thing on Monday morning, Kara and I (Teri) headed to the resort to check in and go to our classroom. We took a class by Cori Blunt, of Chitter Chatter Designs. We loved this colonial lady and thought she would be charming to make. She reminded me a bit of the colonial ladies in the quilt that my mother-in-law gave me. (See What a Lady!) Also, because Kara and I both love adding embroidery to our appliqué, this clearly offered opportunities for us to add some embellishing stitches. Cori was a delight; she had a personal and engaging method of teaching, circulating the room and connecting with each of us in the classroom. She taught a freezer paper method for appliqué, which was different for us, as we typically use a back-basting method. But taking classes is all about broadening our skills, so we jumped in to give it a try.

The morning was spent stitching leaves. Note the handkerchief in the foreground; more about that later.

Breakfast and lunch were included with our tuition—a perfect opportunity to meet new friends and get to know the teachers. Here, Cori is sharing some of her work with us, as well as her desire to "keep handwork alive" by sharing her passion for it.

After lunch, leaves are stitched, and we are ready to create roses.

I stitched all the leaves with Cori's freezer paper method, but I must confess that I reverted to back-basting for the rose.

Kara's roses

After class, several friends from the Baltimore Appliqué Society got together and went to dinner. The restaurant was wonderful, and we all had an enjoyable time sharing stories of our classes that day. What could be better than to be surrounded by friends who share your love of needle and thread? 

Colonial Lady,  by Cori Blunt
On Tuesday morning, we were ready to start stitching the lady. In the morning, we worked on her arms, neck and head. Cori showed us how to embroider the lips, using one strand of floss and a fine needle. She takes just a thread or two of the background fabric at first and gradually increases just by a thread or so to create her mouth. She has perfected this and makes lovely faces. Kara and I embroidered  our ladies' lips. Kara thought hers looked like they'd had a Botox shot, while my lady looked more like she'd put on her lipstick while driving and hit a bump.  

When it was time to work on the skirt, Cori helped me to redesign a little. I had an old handkerchief that belonged to my great-aunt that I wanted to use for her skirt, but the design was such that I would have to do some fussy-cutting to maximize the floral print. There wasn't enough to do the six sections as designed, so I planned to alternate with a coordinating silk fabric that I had. Cori adjusted the pattern so that it would work, making a five-sections skirt. Here, I did use her freezer paper method in conjunction with the back basting. The freezer paper templates helped me to choose the parts of the handkerchief that would work best for her skirt.


     


At lunch, we had further opportunities to "talk to friends we hadn't met yet," as well as hearing a couple of other teachers share and show some of their work. Barbara Blanton, the owner of the Academy of Appliqué was gracious enough to allow us to share our fairy tale quilt, since we were not going to be able to stay for the rest of the event, when the regular Show and Tell was to be held. We were so grateful for her kindness.


Barbara Blanton, owner of Academy
Barbara Burnham, teacher
Barbara Burnham's Baltimore Garden Quilt
in background

After lunch, we took a tour of several of the classrooms. Alas, we had no time to reach them all before returning to our "ladies," but here are a couple of this year's Academy classes.


Some of the stunning blocks made by Rita Verroca . . .

. . . and some of the colorful work of Nancy Chong.

Cori's basket with embroidery
These eyes . . . two methods
During the afternoon, Cori showed us how to embroider leaves with the fishbone stitch and lovely bullion-stitched roses. Kara prepared and began a bit of embroidery, but I wanted to continue with my appliqué before moving on to the embroidery. We were intrigued by the quaint faces, especially the eyes, that Cori embroiders on her Paper Ladies blocks. At the end of the class, she gave Kara and me a special demo of how she embroiders her eyes, even though this pattern had the eyes hidden by the hat. We were so impressed with her fine, detailed work—and those lovely eyes that seemed to come alive on the fabric! 

Sadly, we had to leave the Academy early, as many people were just arriving for the main conference. Before our departure on Wednesday, we stopped by to shop in Barbara Blanton's new show, Huzzah! We did some visiting and shopping, and we may have purchased a pile of beautiful reproduction fabrics that may not yet have a plan for usage. On our way out, we ran into a dear friend from Canada who had just arrived, so we got the opportunity to briefly catch up with each other. Hopefully next year, we will be able to stay longer and enjoy the full Academy.

Chatting with Mimi Dietrich while buying fabric

These lovely daffodils were an indication of the gorgeous spring weather we had during our stay. They seemed to be saying goodbye as we got in the van to return to Maryland. The road trip home included a stop at a Steak and Shake, because I had been coughing a lot and thought my poor throat should have a milk shake. And of course, there is never a time that one can avoid traffic around DC; every hour is rush hour, it seems.



All in all, it was one wonderful quilting road trip. Time to start planning the next one! Thanks for riding along with us.

Colonial lady progress report:
Kara is further along than I am, as she spent two full days stitching on it when we got home. I spent those two days sleeping off a bout of bronchitis. I did finish appliquéing the lady though. We are both looking forward to the embroidery part. Stay tuned for final photos. Isn't it nice that they can look so different because of the fabric choices, and yet all look so beautiful? Many thanks to Cori Blunt, for sharing her talents with us and provided these charming Colonial Lady patterns.


Kara's Lady

Kara's block progress thus far

My Lady

My progress thus far. I love the way the handkerchief worked. What a lovely tribute to my great-aunt!