Showing posts with label Mimi Dietrich. Show all posts
Showing posts with label Mimi Dietrich. Show all posts

Thursday, March 28, 2019

Mimi Dietrich: Honoring Baltimore's "Hometown Girl"


This past weekend, I (Teri) had the privilege of attending the opening of the special exhibit, Hometown Girl: Contemporary Quilts of Mimi Dietrich, at the Maryland Historical Society Museum in Baltimore, Maryland. What a thrill it was to share this day with Mimi—along with hundreds of her family, friends, and students. Mimi has inspired countless quilters over the course of her career, and her character has touched everyone who has been fortunate to know her. 

Mimi began her opening lecture with the story of a friend who had given her a file of papers—all the entries for a quilt contest. Mimi decided to give the quilt that she had entered in that contest (and the papers) to the Maryland Historical Society Museum. Thus, the exhibit honoring Mimi and her quilts was born. "The staff made a dream come true that I didn't even know I had," she stated. 

The reception following the lecture provided opportunities to
meet and reconnect with fellow quilters, family, and friends.


Mimi related the tale of a small girl, who slept under this Dresden plate quilt made by her great-grandmother, who she had never met. The idea that her great-grandmother had actually touched this quilt had a profound effect on Mimi. She decided that she wanted to make quilts.

The exhibit included quilts made by students in Mimi's first year-long Baltimore Album class. While "Baltimores" were typically primarily red and green, she says that when she teaches, she encourages her students to make the quilt in whatever colors they love. "It's your quilt. Make it your own. You can do anything you want."




The model quilt for Mimi's Year-long Baltimore Album Class, which she still teaches locally. 

The three-looped bow is typical in Baltimore Album Quilts, and Mimi often incorporates it into a Baltimore-style block she designs. Here, you can even see it in the quilting of the center medallion of the above quilt.

Mimi's own Baltimore quilt, along with her monogram in the middle. This quilt only took her fifteen years to complete!



"Thirty-five years ago I started teaching quilting and appliqué classes. Amazingly, at that same time, there was a revival of Baltimore Album Quilts. In 1989, Elly Sienkiewicz wrote a book about these quilts, Baltimore Beauties and Beyond: Studies in Classic Album Quilt Appliqué, Vol. I, blending her historical background with patterns to make these traditional designs. I loved this! I loved hand appliqué. That is when I discovered that my place in the quilting world was right here in my hometown.   
"In my classes, students start with traditional techniques and designs, but each quilter has an individual personality. I give my students permission to use their favorite colors and fabrics, adapt the patterns, and make the quilt their own. I believe it is important to know the tradition, but it's creative to be inspired by the original quilts, rather than copy them. I've followed this philosophy for twenty-five years.

"My favorite classes to teach are year-long classes. It is awesome to spend a year with students, watching them learn, grow, and stitch their heirloom quilts. I am always awestruck by their creativity and their success.  Every class makes me feel like we are recreating the tradition and heritage of these amazing quilts that were made in my hometown more than 125 years ago." [emphasis mine]

  
I'm not sure how I missed getting a close-up shot of the strawberry block that Mimi mentions here. I think when I saw that block with the bright blue, it surprised me so much that I stopped studying the rest of the individual blocks. It made me smile. Did they run out of red, or did they make a repair, or did someone just have a fun sense of humor?

A couple of experts studying this exquisite Baltimore Album Quilt top.

It's unusual that the purple hasn't faded. Note the inking on the flowers.



 
One can never have too much inspiration from the traditional quilts, right?


Mimi shared her inspiration in the first hall, and her connection to the tradition of the Baltimore quilts in the second. Her contemporary quilts, completing the exhibit, are as fun as Mimi herself! 


Baltimore Hon

Mimi explained that her Baltimore Hon quilt includes elements of the Baltimore Album Quilts: birds, flowers, and embellishments. Above, you can see the three-looped bow, dimensional flowers (black-eyed Susans are the Maryland state flower), real earrings, and ruby slippers—because "There's no place like home [Baltimore], Hon!"
   
Of course, the Baltimore birds have to be the Oriole (baseball team and MD state bird) and the Raven (football team)! 
And it's not Baltimore without a crab cake!



 
I may be partial, but I think Maryland has the coolest flag!




 

I loved this little quilt of Mimi's. As it was in a case, I could only get a shot of it with the light behind me, hence, my shadow. I trust that doesn't mean I am looking at the gutter; I choose to enjoy the irony, as I believe my sights are set on those stars!!  


In her talk, Mimi shared that she wants to pass on the love of quilting to the next generation. She told stories of teaching nieces, neighbors, and her grandchildren how to sew quilting projects. I think it would be difficult to be a part of Mimi's life and NOT feel her passion for the art and want to join in the fun. Because if Mimi is teaching you, I guarantee that you are having fun. And her encouraging nature will convince you in no time that you are, indeed, a quilter. In fact, I imagine that she has touched many of you reading this in some way. Do you have any Mimi memories you'd like to share? Please put them in the comments below! If you are reading this in email, you can follow this link to post your comment.

Congratulations, Mimi, for this well-deserved honor!

Mimi closes: "I am honored, humbled, blessed, and full of gratitude."




Thursday, December 7, 2017

Aloha from Germany!

Since arriving in Germany this past June, I (Kara) have jumped into a number of quilt guilds and groups. One group that I have joined is called the Baltimore Beauties. Many of the ladies there were once a part of a group that made a Baltimore Album quilt based on Mimi Dietrich's patterns; thus the name. The group has stuck together and now meets monthly to quilt, knit, or just to help develop their skills in English or German. Most of the ladies are German, but the love of quilting overcomes any language barriers. Their English is hands-down, way better than my German, and they graciously correct my inept pronunciations. Their willingness to teach even extends to cooking, as one of the ladies is going to teach a few of us how to make spaetzle, the traditional Swabian way.

Spaetzle: A staple around here. Click here for the recipe

On my very first visit to this group, Daniela, the organizer, mentioned that one of the local museums in Stuttgart was going to be presenting an exhibit about Hawaii. Somehow the idea of a sew-in of Hawaiian quilts was brought up, and our group was asked to stitch Hawaiian quilt blocks at the museum. Many agreed to participate, so for the next few months, we prepped and started our blocks. I purchased a few books with patterns; Amazon had a great deal on three books which I rationalized gave me more blocks to choose from! I chose to back-baste my block instead of constructing it in the traditional, Hawaiian way and found that it was the perfect method for this style of appliqué.

Three for $20! How could I pass it up?

The front.
The back.























A quarter of the way finished

As you can see, I haven't finished my block yet, but I needed something to stitch on for the sew-in (that's my excuse and I'm sticking with it). I forgot how much I enjoyed needle-turning batik fabric. Unfortunately, that block has been relegated down on the priority list, but I will finish it.

At the exhibit entrance.

Our sew-in day was November 29, and before we sat down to stitch, we were able to get a private tour with the curator of the exhibit. The items in the exhibit were gathered from all parts of the world, and surprisingly, most of the collections came from other European countries. 

The curator explaining how this particular textile was made.

The focus of the exhibit was about the tumultuous history of Hawaii and its colonization, so there was only one quilt in the exhibit; not in the traditional style, but made to share a political opinion. Of course, I was most interested in the textiles, so that is primarily what I will show you here.

A quilt made about the British rule.

A traditional kapa cloth made  of bark fibers
Kapa cloth detail























Most kapa cloth was used for clothing; the plain for the common man
and the patterned for the high-ranking families.

Kapa was also used for blankets.

Kapa was traditionally made by women using the fibres
of the wauke or Paper Mulberry. 
Since the 1980s, the forgotten tradition of making kapa
has been revived as a part of Hawaiian, textile. artistry.

Other textiles in this exhibit involved feathers—and a lot of them! The feathered cloaks and headdresses were considered sacred and worn as symbols of power.

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All made of feathers attached to a web-like structure.

A close up of the feathers.

More feathered detail

This feathered cloak and helmet were designed to protect the head and spine,
which were thought to be sacred.

Helmet detail

"My! What big teeth you have!"

After our tour of these amazing artifacts, it was our turn to sit and stitch.  We had quite a few visitors stop by to watch us as we needle-turned our blocks. A couple of our ladies had already finished their blocks and were beginning to quilt them.

German and American quilters stitching Hawaiian appliqué!
You can't make this stuff up!

Beautiful, bright, tropical, colors!

We all had such a lovely time, and it was a wonderful opportunity on so many levels. It was so kind of the museum to invite us to share our appliqué passion with the museum goers. Have you tried Hawaiian appliqué? If so, we'd love to hear about your experience. 

Until next time, Aloha!