Showing posts with label auction. Show all posts
Showing posts with label auction. Show all posts

Thursday, November 7, 2019

Still Crazy...


When pondering the title of this post, a number of familiar songs came to mind, and I (Teri) have a bit of Paul Simon, Heart, Van Morrison, Queen, and Patsy Cline bouncing in my head as I write. (I guess that dates me, doesn't it?!) Kara's Crazy Mittens post last week reminded me how much fun we have playing with stitch combinations when doing a crazy quilt-style project. A couple of months ago, Kara and I found a group of three "Victorian crazy quilts" in an online auction and thought we would bid on the lot. To our delight, we won the quilts! What better way to be inspired to play with embroidery stitches than to study the stitching on old crazy quilts? 

Even quilts benefit from some vitamin D!
Alas, when the quilts arrived at my house, I was deterred from admiring the stitching by the strong aroma of mustiness that permeated the room. I quickly packed them back in the plastic bag until we could figure out a solution to the smell. As the quilts were predominantly silks and velvets, washing them was out of the question. I purchased some bags of activated charcoal and put them in the plastic bag with the quilts for a few weeks and awaited a clear. sunny day for airing them. They need a bit more of both, but I am happy to declare that they are MUCH improved, and I was able to lay them on the bed to study them! Yay!!



The first of the quilts is a modified chevron pattern (I think), and has a wide variety of fabric samples. There is a mixture of prints and solids, with many silks, but also some brocades, velvets, a ribbon, and a painted piece. It is hand-pieced, but the backing and binding are machine sewn.

  
In the first picture, notice the ribbon from the Pontiac High School Alumni Association Reception. I found Pontiac High Schools located in a number of states in the U.S. but couldn't find anything relating to this piece. The flowers in the second photo are elaborately painted onto a piece of silk or satin, the only painted piece in the quilt. It is not uncommon to find event ribbons and painted motifs in Victorian era crazy quilts, so it was fun to find them in this quilt.

  
There is an eclectic collection of different fabrics here. The fuzzy black and white checked fabric was a surprise, stitched among the silks and velvet pieces. I have been unable to ascertain whether they were sample bits of fabrics, or perhaps pieces from ties or dresses. Or possibly, both.

  
The stitching combinations in this quilt are not overly elaborate, but they do add some interest to the patchwork of this quilt. This is not a typical crazy quilt, but it does combine some "crazy" characteristics to this pieced design.

A stitch combination with four colors 

The back: if you look carefully, you can see stitching in parallel curves,
almost like a clamshell design. It appears that the back is stitched to a piece
of thin batting or flannel, and then those are tacked to the front with small stitches.

  
The  combination stitches are all done with pearl cotton thread, but sewing thread is used to tack the quilt top to the other two layers of fabric, and those stitches are camouflaged amongst the decorative embroidery. Note the tacking stitches circled in yellow.


This second quilt is not crazy at all. It is a fun combination of a tumbling block and star design, full of secondary designs.

 
The star designs are showcased with a plush red center, surrounded by black velvet diamonds.

  
Each star is made with three tumbling blocks.

This star includes some fun fussy-cutting.

Some shattered silk reveals a cotton batting.

Evidence of fine hand-piecing

Braided cording is used to bind the quilt,

  
The plush star centers are repeated on the back to hide the tying of the three quilt layers.


To be continued...
The smallest of the three quilts is the winner when it comes to elaborate stitching. So much so that it deserves its own post, so you can enjoy the exquisite combinations and be as inspired as I am. So stay tuned!



We have not gotten these quilts appraised and are not experts in dating fabrics, but I feel pretty certain that these are not "Victorian crazy quilts" as described in the auction. My best guess is that they were made sometime in the mid-1900s, with either fabric scraps or samples. Unfortunately, we know none of the stories of these quilts, so we will just have to make up own. What I do know is that a lot of work was put into them, and I can certainly appreciate that!

P.S.—Do you have a crazy song stuck in your head?  🎵😄🎵

Thursday, October 10, 2019

When the Unknown Surprises You!

As we have shared in the past, Teri and I (Kara) are novice quilt collectors. We started with a few quilts that we inherited and picked up a few here and there as we wander the antique malls—one of our absolute favorite things to do together! A few of those inherited and purchased quilts have been shared on the blog (you can read about them by clicking on the links at the end of this post). Over here in Germany, there are not many antique quilts to be found, so I have formed a habit, albeit not necessarily a financially savvy habit, of perusing some online auction sites. 

My first purchase of a quilt online started with finding a quilt that I kind of liked because it was different. The description was minimal at best and read, Late 19th century pieced quilt, hand-stitched and hand-quilted, 7'2"x7'2". I knew I liked the quilt for the colors and the pattern, and that was about it—my expectations were low for the most part. I had it sent to Teri because it was simpler than shipping it across the pond. When the quilt came and Teri opened it, we were both in shock as to the quality of this quilt, the perfection of the hand piecing, and the density of the quilting. 

This view doesn't do the quilt justice as far as how it was made or its size. It is on a king-size bed and measures 87"x 86".

At the time of this purchase, my fabric dating knowledge was very limited, so I assumed that the auction house was correct in that this was a late 19th-century quilt. Much to my surprise, the appraiser dated the quilt at around 1830, based on the fabrics, with one little piece dated at 1810! This quilt is best appreciated in person, but since that isn't possible in a blog, here are some close-ups with more information from the appraisal.

The quilting from the back side.

The tiny 3/8-inch grid stitches

A near perfect diagonal grid

The pattern is King David's Crown,—#3649 in Barbara Brackman's Encyclopedia of Pieced Quilt Patterns.

Each block is 14 3/8" square.

The blue in this fabric caught my eye and was one of the reasons I purchased the quilt.

For the most part this quilt, from a fabric perspective, appears to have been very thoughtfully laid out. But for some of the blocks at the bottom of the quilt, the maker had to resort to picking some pieces out of her scrap bag.

Here, all the component parts of the block are uniform.

The first dip into the scrap bag

The one block that has quite a few different fabrics

One of the earliest fabrics in the quilt

And one of the others

The pink that was used throughout

Another fabric with the blue that I love

This fabric has such an interesting pattern.

A beautiful brown

The quilt is in excellent condition for its age with some staining, fading, and migrating colors. There are also a couple—very carefully done—vintage repairs, but you really have to look for them. 

The one fabric that has experienced some disintegration and color migration.

Another thing that is wonderful about this quilt is the precision piecing. All her points meet perfectly, and the blocks are pieced so beautifully!

Here you can see just how close she was able to get the points to meet.

Alas, I have no provenance for this quilt, other than it came from an estate in Massachusetts. Having it appraised gave me so much more information, thanks to Phyllis Hatcher. The maker of this quilt was obviously a highly skilled seamstress, but as far as why it was made, for whom, and where, we have to make suppositions. I would have loved to have sat by her side as she made it to see her techniques—and maybe get some hand quilting tips!

I thought I was buying a late 19th century quilt for which I didn't spend an exorbitant amount. Much to my surprise, I purchased a much older quilt and one that far exceeded the value of what I spent; however, the monetary value is not what I treasure. Being able to see the thoughtfulness in the maker's fabric selection, her attention to detail in all aspects of the quilt, and owning such a wonderful representation of a quilt made so long ago—that is where the real value lies.

To see some of our other antique quilts, please click on the links below:


Thursday, March 8, 2018

"Bits of Baltimore and Beyond" at the Mid-Atlantic Quilt Festival

Last weekend, before we set up our classroom at the Academy of Appliqué, Kara and I (Teri) spent the morning at the Mid-Atlantic Quilt Festival in Hampton, Virginia. We enjoyed the many stellar examples of quilts on display, as well as some fabulous vendors and their offerings.

Today, I'd like to share the special exhibit by the Baltimore Appliqué Society: Bits of Baltimore and Beyond. These lovely quilts will be auctioned in the fall of 2018. Who knows . . . you may be so excited by these small beauties that you will find yourself bidding on one! Not only would you own a lovely example of appliquéd workmanship in the Baltimore Album style, but you would be helping to preserve and promote the art.  No more words from me—we hope you enjoy the exhibit as much as we did!


Lyre Wreath and Bird
Mildred Tahara; Honolulu, HI
Pattern by Elly Sienkiewicz

Summer in Full Bloom
Dorothy Moreland, Joyce Randolph, Linda Schwalm, Roxanna Iser; Chambersburg, PA
Pattern by Rita Verroca

Angela's Nosegay
Ann Corbett; Dayton, MD
Pattern by Elly Sienkiewicz

Simple Baltimore Blooms
Kathy DeShong; Silver Spring, MD
Pattern by Baltimore Appliqué Society 

City Spring Quilt Block
Peggy Haser; Frederick, MD
Pattern by BAS/ MD Historical Society

Urn of Flowers
Joan Zelinka; Baltimore, MD
Pattern by Elly Sienkiewicz

Detail: Urn of Flowers
Joan Zelinka; Baltimore, MD

A Geisha Bouquet
Marcia Gratton; Columbia, MD
Pattern from Lovely Lane Museum; Baltimore

Trade Winds
Allison Bachmann; Orchard Beach, MD
Pattern by BAS/ MD Historical Society

Basket of Paisley Flowers
Linda Grasso Bobo; Ellicott City, MD
Machine quilted by Spring Water Designs; Columbia, MD
Pattern by Marylou McDonald

Sailing South
Terri Feehan; Huntersville, NC
Original Design

Complementary
Appliqué by Maria Lage; Hand quilted by Misty Cole; Bowie, MD
Pattern by Elly Sienkiewicz

Analogous Perfection
Appliqué by Maria Lage; Machine quilted by Susan Buckwalter Henyon; Oxford, MD
Pattern by Elly Sienkiewicz

Burgundy and Wine
Appliqué by Maria Lage; Machine quilted by Susan Buckwalter Henyon; Oxford, MD
Pattern by Elly Sienkiewicz

A Riot of Red
Appliqué by Maria Lage; Machine quilted by Susan Buckwalter Henyon; Oxford, MD
Pattern by Elly Sienkiewicz

My Heart
Mary Pauley; Frederick, MD
Pattern by Marylou McDonald

A Grapevine Wreath
Mavis Slawson; Columbia, MD
Pattern by Mimi Dietrich

Rev. Peter Wilson and Me
Colleen Rooney Hughes; Columbia, MD
Pattern by Marylou McDonald from Lovely Lane Museum; Baltimore

Laurel and Laurel Sprays I
Della LeConte; Ellicott City, MD
Pattern by Elly Sienkiewicz

Tropical Pineapple
Misty Cole; Bowie, MD
Pattern by Mimi Dietrich

Parson Timothy's Tulips
Sheila Bayley; Fair Oaks, CA
Pattern by Barbara Burnham

The Best of Reverend Best
Brenda Devine; Providence, RI
Pattern from Lovely Lane Museum; Baltimore 

Crossed Laurel Sprays
Maureen Craig; Silver City, NM
Pattern by Nancy London

Feather-Wreathed Heart
Brigitte B. Lund; Ellicott City, MD
Pattern by Mimi Dietrich

Hope's Heart
Susan Buckwalter Henyon; Oxford, MD
Pattern from Lovely Lane Museum; Baltimore

Sophia's Basket
Frances M. Yoder; Lancaster, PA
Pattern from Lovely Lane Museum; Baltimore

Grapes of Wreath
Margo Cramer; Columbia, MD
Original Design

Detail: Grapes of Wreath
Margo Cramer; Columbia, MD
Detail of quilting:Grapes of Wreath
Margo Cramer; Columbia, MD





Flight of the Swallowtail
Delia Kane; Medford, NJ
Based on Margaret Potts quilt block

Detail: Flight of the Swallowtail
Delia Kane; Medford, NJ

Detail: Flight of the Swallowtail
Delia Kane; Medford, NJ
Detail: Flight of the Swallowtail
Delia Kane; Medford, NJ

Remember that the Bits of Baltimore and Beyond online auction by the Baltimore Appliqué Society will be held October 3–28, 2018. (www.baltimoreapplque.com)

Looking at all these stunning quilts makes me want to sit down and do some appliqué! Enough time at the computer. I'm off to do some stitching!