Showing posts with label friends. Show all posts
Showing posts with label friends. Show all posts

Thursday, January 24, 2019

A Vintage Pinafore, Tea, and Friends


Kara and I (Teri) love to collect vintage linens. I have a drawer filled with tablecloths, doilies, handkerchiefs, pillowcases, and the like. A few weeks ago, I went with some friends to visit Dollies Tea Room and was chatting with the owner, Amy. She does such a lovely job setting the tables for tea, using vintage hankies as napkins. Amy mentioned that at times, they get worn and she has to get rid of them. As I have used them for a few projects—and always looking for inspiration to use more—I told her that I would be happy to take her cast-offs, and in fact might have some that she could use.

Before we left, Amy brought out some embroidered linen napkins that she had bought at a sale but wouldn't serve her purpose, and she gave them to me. As yet, I don't know how I might incorporate them into a project, but I feel certain that between Kara and me, we will be able to put them to good use. When I added them to my drawer, I searched my pile of handkerchiefs for some suitable prospects that Amy might be able to use.

Years ago, when I made my Grandma Quilt, I cut one her handkerchiefs into quarters and used them for the cornerstones of the quilt. One of my memories of Grandma was the pretty hanky she always carried, so it was special to incorporate this piece of her into my quilt honoring her.

To read more about My Grandma Quilt, click here.

This handkerchief belonged to my great-aunt, Annabelle. A few years ago, I took a class at the Academy of Appliqué—before we were teaching there—and chose to use her hanky as part of the dress on this lady. I was able to fussy-cut it to add to her hat as well. It was fun to honor Aunt Annabelle, as she was also a stitcher, who helped to make the reunion quilts which I've written about in the past. (See Reunion QuiltsReunion Quilts, Revisited; and A Quilty Family Reunion.)

To read more about this lovely lady designed and our class with Cori Blunt, click here.

Well, last week, I took my friend Bonnie to celebrate her birthday at Dollies Tea Room. I took a few of the handkerchiefs in my stash for Amy, and to my surprise, she said her mother had a dress to show me. I couldn't imagine what it would be, but my curiosity was indeed piqued. 

After a while, Amy's mother, Jane, came to our table to show us this charming little dress that her mother had made. She told us that her mother—Dollie, for whom the tea room is named—had drafted her own patterns for their clothes and made them. They were a farm family during the Depression in the village of Big Pool, Maryland, and owned a canal boat in which they would travel to Georgetown. When Dollie made this pinafore, she embroidered the names of all the cousins around the hem.




The clover blossoms stitched around the neckline complement a three-leaf clover on the waistband.

Lena Jane went by her middle name, Jane, as did her cousin of the same age, Frances Jean. Jane told us when she was little, she would hop over the fence to play with her cousin, who lived right next door. Since Jane and Jean sounded so much alike, her cousin ultimately went by her nickname, Pid. She explained that nicknames were common then, though since her name was short, she kept her name, Jane. 



Can't you picture this sweet dress on a little girl, running through a field of clover?

When Jane finished telling us her story, she handed the dress to me and said that if I'd like it, it was mine. She said no one in her family really wanted it, and she was happy to have it go to someone who would enjoy it. In fact, Amy also thanked me for taking it. I was feeling humbled and honored to own such a treasure, and that they were thankful and willing to share its story made it all the more special. And they agreed to let me share the story with you!

Dollie's story, shared on the back of the menu

The tables set for tea, with vintage tea cups and plates, and old handkerchiefs for napkins.

Dollie is pictured on the wall above. Amy told me Dollie would have loved the Tea Room, but she died just after they purchased the property to open Dollies Tea Room. 

As I sit here writing this, I am enjoying the rest of the pot of tea—bought at Dollies, of course—that I just shared with a neighbor. I am thinking of the mission statement on the Dollies Tea Room website: 

"To feed the soul as well as the body. To provide a place for quiet thought, gentle communication, sweet respite from the hectic everyday world; a place filled with a sense of hospitality and graciousness. A haven for the gathering of one's strength, the refreshing of one's body and spirit."

Indeed, I have found such a place at Dollies. In fact, my friend Bonnie and I have made a monthly date to visit and enjoy such nourishment for our souls.



Bonnie sent me a link to this website that evening—a truly delightful discovery! I have not formally "met" Grandma Rae yet, but I hope I may at some point. Her page is so inviting: quilts and tea on one site! You may wish to pay her a visit at www.grandmarae.com. Grandma Rae welcomes visitors to her site with these words:

"Having tea with friends fills a spot in my heart. Tea Time for me is not a lovely table or perfectly made sandwiches and desserts. Tea Time is the fragrance of friendship—it's the aroma of lives shared and the sweetness of sisterhood—bonds that cannot be broken by time, economic circumstances, health situations or lifestyle changes." 

Both statements touch a spot in my heart. I am not sure I ever appreciated tea, or even thought much about it, in this way before. The gift of a sweet little embroidered pinafore has brought new appreciation to that precious cup of tea—and the friends with whom I share it!



Thursday, May 18, 2017

Crazy Quilts at the Virginia Quilt Museum


Last week, Kara and I (Teri) decided that we needed to go on one last road trip before her departure to Germany. It will surely not be our last, but we will doubtfully get much travel in before she leaves the country. Our destination was Harrisonburg, Virginia. I had told her how much I enjoyed my visit to the Virginia Quilt Museum (VQM) in the fall, and we wanted to see Debby Cooney's exhibit on appliqué (more to come on that next week), so that seemed like a good place to start. We planned to check out a few fabric shops, antique shops, and wineries, as well.
 

Our first stop was the museum, which is housed in the historic Warren-Sipe House on South Main Street. The house is a superb environment to display these old quilts: the floor, fireplaces, and even the radiators possess inspiration for quilt and embroidery designs!

  


An amazing collection of antique sewing machines was displayed on the upper level, and in the stairway heading to the lower level, a framed variety of vintage quilting templates could be viewed. Even the bathroom walls were bedecked with old needle craft magazine covers. (Interestingly, both Kara and I took a photo of the framed periodical covers on the bathroom walls . . . maybe we think TOO much alike!)

 


One of the exhibits displayed on the upper level was Treasures From the Vault: Wool for Winter, which included a few crazy quilts. In the fall, I saw Treasures From the Vault: Crazy Quilts. Since we have written about and taught some crazy quilting classes, I thought it might be fun to do a photo album for you, sharing some of the lovely crazy quilts among the VQM's collection—some from each of my visits. Hope you enjoy this truly exquisite work!

Rail Fence Crazy Quilt, 1934, from Harrisonburg, VA;
made by Myrta Richey Kennedy for Alvin Kennedy

Between each rail fence block, Myrta did the cretan stitch over the seam.
She uses a variety of materials to creatively stitch the seams between the "rails."

Above, woven tape is ruched. Below left, it is folded and stitched down in a zig zag fashion.

  

Here, she used rick rack to create a unique seam stitch. 

Kerlin Miller Wool Crazy Quilt, c. 1890, from Bridgewater, Shenandoah Valley, VA;
made by Emma Rebecca Kerlin (1863-1940) 

  

Several different sets of initials are embroidered on blocks, though it is stated to have been made by
Emma Rebecca Kerlin (Miller?). Perhaps she had assistance from family members, or maybe she included
initials of family members as a tribute. Both wool and pearl cotton threads are used for embellishment. 

Page Crazy Quilt, c. 1900, from Staunton, VA;
made by Rosa Virginia Glenn Page and several women in her family

  

Chenille thread is used on the flowers, above left, and many knots in the goldenrod, above right, achieve a dimensional look. Below, stitchers embroidered their initials to mark their participation. 

  


  

I would guess that daisies must have been one of Rosa's favorite blooms, as they are found in a number of blocks.



Dellinger Folk Art Crazy Quilt, made by Molly E. Dellinger Grabill
"Commenced Dec. 1, 1886
Finished March 30, 1887"

Molly's initials—and a self-portrait, perhaps?

Loving the storybook elements in this quilt!




Withers Crazy Quilt Top,  c. 1880, from Augusta County, VA; maker unknown

Fabrics include silk and velvet, and the embroidery is elaborate.

Crazy Quilt, dated 1891, from Rockingham County, VA; made by Theresa Beery Shank 

Ribbon daisies

Osberger Family Quilt, c. 1880; quiltmaker unknown; quilt inherited by Una Osberger Ammerman

Lots of silks were used in this beautifully created quilt.

Many detailed motifs are stitched and embellished with metallic, silk, and cotton threads.


Several panels were hanging in a window during my October visit, making it difficult to photograph them, but below are a few close-up images of some of the blocks. Once again, there is some spectacular embroidery in these examples. Several seasons are stitched, with flowers, leaves, birds, and butterflies. Oh, and colored rings.





This stunning chair with its crazy quilted seat cushion was on the main floor—
hopefully being admired, rather than hosting sitters!

After our museum visit, we had lunch and stopped by the jewelry store to see if they had any different quilts hanging. (To read about my trip there in October, read Vintage Virginia Stitches.) We loved this pieced block with hand appliquéd handles and machine top-stitched stems. The greens had faded to tan and brown.

 

The day was still young enough to go through two antique malls, one of which housed a fabric store—what a perfect combination! We had just enough time to stop by a couple of wineries before the tasting rooms closed. 

A sweet display of toy sewing machines...

...and some vintage threads (that weren't very strong anymore.)


Beautiful gardens at the White Oak Lavender Farm 


The Purple Wolf Tasting Room


After checking into our hotel and getting some dinner, we got into our comfy clothes and opened a bottle of wine that we'd bought. Our friend, Barb, called us, and we enjoyed a virtual (video) visit with her, chatting and laughing for over an hour. After a good night's sleep, we were ready to head back to Maryland, stopping at a few fabric stores and antique shops along the way. Who knows when our next road trip will be? Perhaps next year to Williamsburg for the Academy of Appliqué, or maybe even in Germany! Either way, we hope to enjoy many more road trips in our future.

Over the next couple of weeks, we will be sharing two of the visiting exhibits from the Virginia Quilt Museum. If you haven't the opportunity to visit the museum, this will be your chance to see some amazing appliqué and quilts with some tales to tell!

Some of Our Posts About Crazy Quilting
Crazy for Crazy Quilts
Making Little Red Crazy
American Crazy Quilt Exhibit at the Baltimore Museum of Art
Back to the BMA: More Crazy Quilts
Crazy Quilting—Start to Finish
Crazy Quilting—Start to Finish; Session One: Constructing the Blocks
Crazy Quilts, Session 2: Marking and Stitching Motifs
Crazy Quilts, Session 3: Ribbon Fun
Crazy Quilts, Session 4 and 5: Progress
The Crazy Quilt Wrap-Up