Showing posts with label reproduction fabrics. Show all posts
Showing posts with label reproduction fabrics. Show all posts

Thursday, June 4, 2020

Chaos Contained...Sort of

When the “stay at home” directive came, one of my (Kara) first thoughts was that I would have lots of time to stitch. I also thought that it would be a good time to do some cleaning out and organizing in the house, but especially in my sewing room. The weeks went by, and I kept waiting for that overwhelming organizing desire to hit—it never did. What did hit was the fact that my sewing space was so dis-organized that I couldn’t spend all that stay-at-home time stitching, because my space was so disordered.


The mess on the shelves doesn't look that much different from the mess on floor!

With appliqué as our primary focus, I have a lot of fat quarters and small pieces. All those small parts were mixed in with yardage and every time I needed to pick colors, any type of arrangement I had would become a hot mess, because it was too hard to put things back in an orderly way. Thankfully, I found the Facebook Group, Clean and Organized Sewing Group, and I was inspired.

There were so many good ideas there, and one of the popular ways of storing one's fabric was by wrapping it on comic boards–cardboard pieces used to help preserve comic book collections. Those would work for my yardage, so I ordered them from the German Amazon, since I knew they would arrive here sooner than if I ordered from the US. Something got lost in translation, and I actually ordered comic book sleeves instead. So I sent those back, but the organizing mood was upon me, and I needed to run with it before it left! I checked back on the site, and found that many people folded their yardage around a ruler, so it was all the same size. I didn't have a ruler that would work that way, so I scoured the basement and found an unused cedar plank that was designed to use on a grill. It was the perfect size for the width and depth of my shelves, so I began to fold.

I figured out the depth I needed, folded the fabric to that size, folded it 
around the cedar plank, and then removed the plank.

Folding it all took about 3 days, but the size was perfect for the shelf.

The next issue to tackle was my smaller pieces. I have a lot of fat quarters of quilting cotton, but I also have a lot of silks and velvets. I had ordered some plastic bins, thinking they were shoe box size, but again, I mis-ordered. This time I kept them, because I thought I could make them work in spite of being larger than I thought. They worked perfectly for the silks, velvets, and reproduction fabrics, and they fit two on top of one another with a little shelf adjustment.

The top half of the shelf before the yardage had been folded.

Since I'd already had two semi-failures in ordering storage solutions, I decided to try and use what I had. I had always saved clementine crates and used them not just for sewing storage, but for storing household items as well. If I folded the fat quarters and smaller pieces a certain way, I could fit two in a clementine crate side by side. Scouring the house, I gathered all the crates I could find, dumping what was in them into another container. I might have left some other disorganization in my wake, but now I had a plan for taming my fat quarter frenzy.





I need to purchase another shelf to maximize this space, 
but it works for now!

In a perfect world, my clementine crates would be all be painted a lovely teal or soft grey, but if any future stitching was to be done, I needed to tame the chaos while I had the drive. It's been over a month, and the fat quarter order is still there—that might be a world record for me! 

This old steamer trunk got half a makeover so that it holds my bolts and some art supplies, but the drawers hold most of my wool and that certainly needs an organizing touch.

You can see some of the wool trying to escape on the right!

The rest of the room still has some hot spots, like a file cabinet and a general catch-all shelf, but for now I can function and create in this space. It took a couple of weeks working a little bit here and there, but now the rest of the organizing will be much easier to manage. 

How do you organize your sewing space? If you have any tips or tricks we'd love to hear them. 


Friday, September 22, 2017

And the Rest of the Show...

Three days was barely enough time to see everything at the European Patchwork Meeting quilt show, and one post was not enough to share all the pictures I took! Today you will get to see the most recent edition of the Quilts de Légende—an exhibit that I probably would have missed had I not chatted with a lovely lady from Wales. You will also get to see some of the unique textile art that was displayed from many different places around the world.

The Quilts de Légende exhibit was one of my favorites exhibits at Houston last year, and you can see those quilts and read more about them here. I had no idea that the new exhibit would be at this show, so I had a hard time containing my excitement when I found out. These exquisite quilts are all made completely by hand and must be inspired by an antique quilt.

India Mosaïca
Dominique Husson


Médaillon Et Sabliers
Colette Bourgain
Inspired by a Dutch medallion quilt


Deuxmillehuitcenthuit
Ewa Guérin
Inspired by an old quilt top from Iowa


Ogeechee
Aline Joulin
Inspired by an American quilt in the
Grand Rapids Public Museum, Michigan

Detail: Ogeechee


Vase de Fleurs et Roses Grimpantes
Michèle Beugnon
Inspired from a quilt from the POOS collection
owned by Kay Triplett


Detail: Vase de Fleurs et Roses Grimpantes
The choice of fabric and quilting
made this flower seem 3D
A line of quilting in red encircles the center



Vagues
Maryvonne Marmion
Inspired from an old Ohio quilt dated 1891/1911


Detail: Vagues
Each triangle is only about 1"


Bleu de Prusse
Will Widnic
Inspired by an old English quilt circa 1830/1840

Be still my heart! I adore this blue!


Military Coverlet
Isabelle Muzeau
Inspired by a military quilt from the Nova Scotia Museum


Millefiori
Maude Devesly
Inspired by an 18th century Welsh quilt


Detail: Millefiori


Marie Henriette
Martine Crabe-Lanux
Inspired by an American quilt from the Shelburn Museum


The details of this quilt are charming!


Love the pups in this quilt.
This exhibit was one of my favorites, as the detail on each quilt was inspiring, magnificent, and mind-blowing. While this was spectacular, there was much more to see and enjoy. A favorite of many was the exhibit by Ian Berry, a British artist, who uses jeans to create stunning works of art. The detail he creates with varying shades of blue in denim is amazing.








A self-portrait of the artist

It was fun to see school groups enjoying this exhibit and others!

We had to travel through the towns, following the well-placed signs, to reach each exhibit. One of the local churches was dedicated to a display honoring the Amish roots of quilting along with some excellent examples of Amish quilts.





There was such a variety of textile art; something to appeal to everyones creative taste. Here is just a small sampling of the variety displayed in the various villages.


White Pine: Titan of the Shield
Janet Elliott

Detail: White Pine: Titan of the Shield


Monarch Migration
Barbara Lange

A stunning quilt all done in silk

Build
Hana, Jo
Korean Bojagi Forum

La Petite Roumaine
à la manière de Matisse
Smaranda Bourgery

This was originally part of an actual garment.


Zealandia
Isabelle Cluzel


Detail: Zealandia


These next few pictures are from an exhibit by Lea Stansal of France titled "Embellishment Embroidery."


Love the embroidery on patchwork








Hmmm...

The charm of French villages, all things textile, and a few French pastries for good measure—this quilt festival was phenomenal from beginning to end. Did I mention the vendors? Let's just say I parted with a few euro last weekend, but it was worth it. Sometimes I had to think hard about what language I should attempt to speak, but thankfully oohing and aahing over fabric and threads needs no spoken language.

The Dutch Heritage booth
The lovely ladies Petra Prins's booth

People from many different countries were represented here, all to be joined by a love of creating. The CEO of the event wrote an introduction for the festival program, and I'd like to leave you with a portion of what he wrote:

"Quilts and textile creations are evidence of human know-how over the ages. The emotion is present as well as the story woven in each of its threads. Indeed, one does not make a quilt without intention. It is created to express dissatisfaction or rapture, history or deep feeling. It is a way to express oneself through art without words. Finally, it is a medium to leave an imprint."

Claude Abel
CEO SPL Évènementiel en Val d'Argent